How to 3D Scan a Person for Custom Figurines and Busts
Want to turn a loved one into a unique figurine or bust? This guide shows you how to 3D scan a person, from setup to final model for custom keepsakes.

Ever dreamt of holding a miniature version of yourself? Or perhaps capturing a loved one's smile in a tangible, forever-lasting bust? Man, let me tell you, that's the kind of magic we get to cook up right here in our small workshop in India with the power of 3D scanning and printing. It's not just about making plastic trinkets; it's about freezing moments, preserving memories, and creating incredibly personal art. And honestly, it's one of my favorite things to do!
So, you want to dive into the world of scanning people for custom figurines or busts, right? Fantastic! It's a journey, not a sprint, and trust me, there are a few bumps along the way. But the end result? Totally worth it. I've been doing this for a while now, turning digital dreams into physical realities at Arto-Pia Collections, and I'm super excited to share some of my hard-earned tips and tricks with you, my fellow enthusiast. Let's get started!
The Quest for the Perfect Scan: What Scanner Do You Need?
This is where most people scratch their heads, and rightfully so. The world of 3D scanners is vast, from your phone's camera to professional-grade beasts. What you choose depends mostly on your budget and, critically, the quality you're aiming for.
1. Your Smartphone: The Budget-Friendly Gateway
Honestly, this is where many of us start. If you've got a recent iPhone (especially models with LiDAR, like the Pro series from iPhone 12 onwards) or some high-end Androids, you've got a surprisingly capable 3D scanner in your pocket. Apps like Kiri Engine or Polycam have revolutionized casual 3D scanning. I've personally experimented with them quite a bit, especially for small objects or quick captures.
- Pros: Super affordable (many have free tiers, though premium features might cost you ₹500-₹2000 a month), incredibly convenient. Everyone has a phone!
- Cons: Quality can be hit or miss. Hair and thin details are often a nightmare. Small movements from the subject or scanner can lead to messy, wavy geometry. The texture capture can be great, but the actual mesh can be a bit blobby, you know?
- My Take: Great for practice, understanding the workflow, or very casual, low-detail figurines. Don't expect museum-quality busts, but for a fun, stylized figurine, it's a solid start.
The trick with phone scanning is consistent lighting and a *very* still subject. And I mean *very*. Even a slight sway can mess up the alignment. Try to get your subject to stand against a plain, contrasting background, and make sure the lighting is even, no harsh shadows.
2. Entry-Level Structured Light Scanners: Stepping Up Your Game
This is where things start getting serious, and honestly, this is the sweet spot for many small businesses like mine. Scanners like the Revopoint POP series (I've used the POP 2 extensively) or the 3DMakerpro Seal Lite are fantastic. They project a light pattern onto the object and use a camera to calculate depth, resulting in much more accurate and detailed scans than your phone could ever dream of.
- Pros: Excellent detail for their price point, relatively easy to use once you get the hang of it, and they're pretty good at capturing human faces and forms.
- Cons: The cost jumps up significantly – you're looking at anywhere from ₹40,000 to ₹80,000 for a decent one. There's a learning curve with their dedicated software. Dark or shiny surfaces are still a challenge, sometimes requiring scan spray or talcum powder (which isn't ideal for a person, obviously!).
- My Take: This is probably the best bang for your buck if you're serious about offering custom figurines. The quality is generally good enough for miniatures up to 6-8 inches without losing too much facial detail.
With these, a turntable is your best friend. Get your subject to sit or stand on it, and slowly rotate them while you hold the scanner steady. This helps get a full 360-degree capture without the subject having to move much themselves – movement is the enemy of good scans, remember!
3. Professional Handheld Scanners: The Big Leagues
We're talking about devices like Artec or Shining 3D. These are incredible machines, offering unparalleled speed, accuracy, and detail, often with full-color texture mapping that's just gorgeous. They can capture hair, fine wrinkles, and even shiny objects with remarkable ease.
- Pros: Top-tier quality, fast scanning times, robust software, less sensitive to minor movements.
- Cons: The price tag. Oh, the price tag! You're easily looking at ₹1.5 lakhs and upwards, often much, much more. For a small business like mine, it's a significant investment that needs careful consideration.
For now, I've primarily stuck with the Revopoint POP 2 because it strikes a good balance for my services. But a high-end professional scanner is definitely on my wishlist for the future, for those truly premium offerings.
The Nitty-Gritty: How to Scan a Person
Okay, so you've got your scanner. Now what? The actual scanning process is where art meets science, and a little bit of psychology comes into play to keep your subject calm and still.
Step 1: Preparation is Key
This might sound basic, but it's crucial. Get your subject ready!
- Stillness: This is the absolute paramount rule. Explain to your subject that they need to be as still as a statue. Think 'meditation pose.' Even slight breathing can cause issues, especially with entry-level scanners.
- Hair: Long, loose hair is a nightmare. It moves, it's thin, and scanners struggle to capture it. Advise them to tie it back tightly in a bun, or even wear a swim cap for the best results. (I know, not very photogenic, but great for the scan!)
- Clothing: Avoid super shiny materials, black clothing, or extremely baggy clothes. Light-colored, textured but not overly reflective clothing works best. Simple, close-fitting attire helps the scanner pick up the body form better.
- Glasses/Jewelry: Reflective surfaces are the scanner's nemesis. Ask them to remove glasses, watches, and shiny jewelry. If they insist on glasses, be prepared for some heavy post-processing or a slightly warped scan around the frames.
- Expression: Decide on the expression. A subtle smile is usually good, but holding a wide grin for several minutes can be tiring!
Step 2: Set Up Your Environment
Lighting, background, and movement – these three are your holy trinity for a good scan.
- Lighting: Aim for soft, diffused, even lighting. No harsh shadows or direct sunlight. I use a couple of softboxes, which cost me about ₹5,000-₹8,000 for a pair on Amazon. You don't want bright spots confusing the scanner.
- Background: A plain, uncluttered background is best. A white or light-colored wall works well. If you're using a turntable, make sure it's stable and rotates smoothly.
- Positioning: Whether sitting or standing, ensure your subject is comfortable but supported if needed. A stool for busts or a stable platform for full-body scans.
Step 3: The Actual Scan (The Dance!)
Okay, the moment of truth! This is a bit of a dance between you and your subject.
- Calibration: Always calibrate your scanner before each session. It takes a minute but saves hours of frustration later.
- Start Point: I usually start with the face, getting good detail there first, as it's the most critical part for a human figurine. Hold the scanner about 30-50 cm away (check your scanner's optimal distance).
- Slow and Steady: Move the scanner *slowly* around your subject. Overlap your scan passes generously. Don't rush it. Think of it like painting, adding layers.
- Maintain Tracking: Most scanners use markers or geometric features to track. Keep an eye on the software's tracking indicator. If you lose tracking, pause, backtrack slightly, and try to re-establish it. This is where patience really pays off.
- Full Coverage: Go around the entire person (or the area for a bust) multiple times. Get high, get low. Try to capture any difficult areas, like under the arms or between the legs (for full body scans), from different angles.
- Texture Scan: If your scanner supports color texture, make sure you capture it evenly. This brings the figurine to life later.
In my experience, a full-body scan can take anywhere from 5 to 15 minutes, depending on the scanner and how cooperative the subject is. For a bust, it's quicker, maybe 3-7 minutes. It's intense, but the more care you take here, the less work you'll have in post-processing.
Post-Processing: Turning Raw Data into a Printable Masterpiece
Okay, you've got a messy, digital blob. Now the real wizardry begins! This is where you transform that raw scan data into a clean, watertight mesh suitable for 3D printing. I use a combination of the scanner's proprietary software and general 3D modeling tools.
1. Initial Clean-up (Scanner Software / Meshmixer)
- Stitching and Alignment: Your scanner software (like Revopoint Revo Scan) will try to stitch all your scan frames together. Sometimes, you'll need to manually align overlapping scans if it struggled.
- Hole Filling: Scanners often miss tiny nooks and crannies, leaving holes in the mesh. Software like Autodesk Meshmixer (free!) is fantastic for quickly filling these holes. Blender is also a powerhouse, though with a steeper learning curve.
- Removing Noise: You'll inevitably have some "floating" bits of data or noisy surfaces. Use selection tools to delete these stray elements and smoothing brushes to refine bumpy areas.
2. Refining and Sculpting (Blender / ZBrush)
This is where you bring the model to life and fix imperfections that the scanner couldn't capture.
- Hair Detailing: Hair is often captured as a blocky mess. I usually sculpt in more defined hair strands and textures in Blender. It's tedious, but it makes a huge difference.
- Facial Features: Sometimes eyes can be flat or nose details lost. A little subtle sculpting can enhance these features without making it look unnatural.
- Repairs: If a specific detail (say, a wrinkle on a shirt) didn't scan well, you can often sculpt it back in.
- Watertight Mesh: This is critical for 3D printing. Ensure there are no open edges or non-manifold geometry. Most slicing software will complain if your model isn't watertight.
3. Scaling and Orientation
Once your mesh is clean and detailed, scale it to your desired figurine size. For busts, decide where the base will be. Orient the model for optimal printing – usually upright, minimizing overhangs.
4. Slicing for Your Printer
Finally, bring your polished model into your preferred slicer (PrusaSlicer, Cura, Lychee Slicer, Chitubox). This is where you'll:
- Add Supports: Essential for FDM and resin printing, especially for parts that would otherwise print in mid-air (like arms, chin, etc.). Learning to place supports efficiently is an art in itself.
- Choose Settings: Layer height, infill, temperature (for FDM), exposure time (for resin). These depend on your printer and filament/resin.
Printing Your Masterpiece: FDM vs. Resin
You've done the hard work, now for the magic of seeing it come to life!
FDM (Fused Deposition Modeling) Printers
Printers like the Creality Ender 3 (a workhorse, I've got three of them!) or Anycubic Kobra series are fantastic for FDM. They build up layers of melted plastic.
- Pros: Cheaper printers (an Ender 3 V2 on Amazon.in costs around ₹20,000-₹25,000), cheaper filament (PLA is ₹1000-₹2000 per kg on Amazon.in), can print larger objects, and are generally less messy.
- Cons: Visible layer lines, less fine detail compared to resin. Small figurines might lose some fidelity. Post-processing involves sanding and priming if you want a smooth finish.
- My Take: Great for larger busts (say, 6 inches and up) or stylized figurines where some detail loss is acceptable.
Resin (SLA/DLP/LCD) Printers
Printers like the Anycubic Photon Mono X or Elegoo Mars are incredibly detailed.
- Pros: Unbelievable detail, incredibly smooth surfaces, perfect for small, intricate figurines (3-5 inches).
- Cons: Printers are more expensive (entry-level ones start at ₹25,000-₹40,000), resin is more expensive (₹2500-₹4000 per kg/litre), messy post-processing (washing in IPA, UV curing), requires good ventilation, prints are generally smaller.
- My Take: If fine facial features and tiny details are paramount, resin is the way to go. I use my Anycubic Photon for most of my premium custom figurines.
After printing, it's all about post-processing: removing supports, sanding, priming, and then painting! A good hand-painted figurine brings the print to a whole new level, making it truly unique. We offer both raw prints and hand-painted options at Arto-Pia Collections. You can see some of our finished work and other cool stuff right here: Arto-Pia Collections Products.
A Few More Tips from the Trenches
- Patience, Patience, Patience: Seriously, this entire process demands it. From scanning to post-processing to printing, rushing will only lead to headaches.
- Practice on Objects First: Before you scan a person, practice on inanimate objects. A statue, a toy, a shoe. Get comfortable with your scanner and software.
- Communication is Key: Talk to your subject throughout the scan. Keep them informed, tell them when to breathe, when to hold still. Make it a fun experience, not a chore.
- Backup Everything: Scan files, project files, sliced files. Storage is cheap, re-doing work is expensive (in time and effort!).
The thing is, every scan is a little different, every person poses unique challenges. Dark clothing, super reflective skin, wild hair – you learn to adapt. Sometimes I even tell people to put a bit of matte makeup on if their skin is too shiny!
So, Are You Ready to Capture a Moment?
Look, 3D scanning a person for custom figurines and busts isn't just a technical skill; it's an art form. It's about capturing personality, emotion, and creating something truly unique that will be cherished for years. Whether you're doing it as a hobby or looking to start a small business like Arto-Pia, the journey is incredibly rewarding.
It takes time, practice, and a good dose of perseverance. But honestly, seeing someone's face light up when they hold a miniature version of themselves or a loved one? That's priceless. And that's why I do what I do.
So, grab your scanner, find a willing subject, and start experimenting! The world of custom 3D printed figurines is waiting for you. Happy scanning and happy printing, my friend!


